So the year 2012 has arrived. It’s the 10th year anniversary for Sozo and we sure have a lot going on.  This year started off with some emails from Hong Kong and Mexico, and some emails to Switzerland and Estonia. Yes, those are all the places we’re going to be doing business with this year and we couldn’t be more excited.  We’re also celebrating the successful launch of sozo experiences, our sister company based in Tokyo, a boutique marketing and management consultancy for lifestyle brands. 

But first things first. Back home in New York, we have the annual Arts Presenters Conference (aka APAP) starting this weekend, followed by the Chamber Music America Conference. Our amazing composer/cellist Dana Leong will present his new trio project at APAP on Sat. Jan 7th, and the one-and-only Haitian-American composer/violinist Daniel Bernard Roumain (DBR) will present a program with the Sphinx musicians on Fri. Jan 13th.  If you are attending either of the conferences, please contact us so we can save you a spot! Details to follow. 

We’re also gearing up for the opening of the new musical TOKIO CONFIDENTIAL (the Lady with the Dragon Tattoo) running at the Atlantic Theater Feb 5-19. Be sure to check out our previous post for more information. You’ll also start to see info about this show around town this month and in magazines like CHOPSTICKS, so pay close attention.

Conference Showcases:

Sat. Jan 7 at 10:20pm
Dana Leong Trio APAP Showcase
Hilton Hotel Regency Parlor Suite
W53rd Street and 6th Avenue NYC
www.danaleong.com


Fri. Jan 13 at 7pm
Daniel Bernard Roumain (DBR) presents FILTER
feat. Sphinx Artists
CMA Showcaase produced by Opus 3 Artists
The DiMenna Center
450 W37th Street NYC
www.dbrmusic.com

We are proud to announce our collaboration with Daryl Roth Theatrical Management and composer Eric Schorr on their new production of TOKIO CONFIDENTIAL, an original musical about love and tattoos, set in 1879 Japan.  We are working closely with their wonderful PR and media teams at Keith Sherman Associates and hofstetter+partners/agency212 to create a marketing campaign for the Japanese/Asian/alternative culture audiences in NYC.

About TOKIO CONFIDNTIAL:
Japan. 1879. A young American woman crosses an ocean in search of a lost love—and crosses a line from which she can never return. On a journey between pleasure and pain, art and artifice, secrets of the flesh and sins of the heart, she becomes an object of unexpected desire—in a realm of unspeakable danger. 

Words and music by Eric Schorr
Directed by Johanna McKeon

February 5 – 19, 2012
ATLANTIC STAGE 2
330 West 16th St. NYC
For performance schedule, tickets and more info visit  www.tokioconfidential.com

This is going to be an amazing show. And we need your support.  That’s all we have to say!


Acclaimed composer-violinist Daniel Bernard Roumain (DBR) returns to BAM with an invigorating new production fueled by DBR’s inimitable mash-up of pop, hip-hop, and classical music. The third and final installment of a multi-year BAM commission that includes One Loss Plus (2007 Next Wave) and Darwin’s Meditation for The People of Lincoln (2008 Next Wave), Symphony for the Dance Floor features hip-hop artist Lord Jamar (founding member of Brand Nubian, HBO’s Oz), photography and video by Jonathan Mannion—best known for his striking portraits of Jay-Z, Lauryn Hill, and Eminem—and choreography by Millicent Johnnie (Urban Bush Women). DBR’s latest work radiates an infectious raw energy, transforming the stage of the Harvey Theater into an ecstatic dance party.

INFO & TICKETS

Lord Jamar and DBR (photo by Leslie Lyons)

We’ve been waiting for this day to come! We first got introduced to MAKANA about 2 years ago when he performed at the Sage Theater in Times Square, and were immediately amazed by his powerful yet intricate blend of Hawaiian slack-key guitar, folk/rock, and beautiful voice. The New York Times gave a great review of this concert and we’ve been following his career ever since.  He is probably one of the hottest, most in-demang young artists from Hawaii right now (and he and Jake Shimabukuro have performed together too) and we’re totally thrilled to have him back in the Big Apple!

Here is a sample of our favorite song, KOI (Current of Life), by MAKANA.

We’re getting ready for the new fall season…which usually means fresh new photos!  We just finished directing DBR‘s photoshoot with one of our most favorite NY photographers, Leslie Lyons.

This is our 4th photoshoot with Leslie.  Back in 2005, we did our very first shoot with her and ended up with this fabulous and famous “hair flying” image that graced the front page of the New York Times:

Now, 6+ years later, we’re thrilled to launch DBR’s first official publicity photos without his dreadlocks. Stay tuned as we unveil these later this month!

DBR JOINS PATAGONIA TO GIVE MONEY DIRECTLY TO ENVIRONMENT

Patagonia Inc., the environmentally minded apparel company, and some of music’s most talented artists have come together to form the Patagonia Music Collective and release exclusive tracks to help benefit environmental organizations.

DBR has written and provided vocals for ”When It All Comes Down,” featured alongside previously unreleased tracks by Esperanza Spalding and Maroon 5 among others. Proceeds from the track are donated to The Good Earth Singers, a global grassroots movement inspiring humanity to become more responsible stewards of the earth and its resources by harnessing the power of song.

“Patagonia is honored to have DBR as a part of the Patagonia Music Collective,” notes Rob BonDurant, Patagonia’s VP of marketing, “We’ve been stunned at the graciousness of artists like him who so readily jumped at the chance to introduce their fans to an enviro cause they support. We’re so hopeful that fans will not only purchase this track, but learn about the work The Good Earth Singers is doing.”

Click here to preview and download “When It All Comes Down.”

Our amazing, genre-blending, one-of-a-kind composer/musician Dana Leong and his new instrumental trio, The Dana Leong Trio, will debut at The Blue Note Jazz Festival on Monday, June 20.

For those of you who have been following his career, you’re probably familiar with his ultra energetic hip-hop/jazz quartet, MILK & JADE, which has been a smashing hit at festivals in Europe and Asia and the band continues to tour and sell out large, standing-room-only venues.  This NEW instrumental trio configuration (Dana Leong on cello/trombone, John Shannon on guitar, and DJ Icewater on turntables) is something we’re very excited about, because it highlights yet another dimension of his work as a cutting edge composer and virtuoso performer. And the music appeals to pop, jazz and classical music lovers alike, and audiences of all ages! (But, sorry, this Blue Note Jazz Festival show is 21 & over)

The concert will feature the New York premiere of Music from IdEgo, a work originally commissioned by the San Francisco-based Project Bandaloop aerial dance company.  (The world premiere took place last October at the Orange County Performing Arts Center, pictured above.)

Described by Dana as “a musical dream journal,” the work was written over the course of 30 days during which he meditated on melodies while keeping a manuscript book next to his bed so as to be able to wake up and notate the very first notes that came to mind. “It’s highly imaginative, lyrical, and even entrancing,” Dana says. The guest artists John Shannon and DJ Icewater bring to the mix an equally exciting blend of instrumental techniques and musical styles.

Curious what they sound like?

Buy tickets here.

We’re very excited about this week’s world premiere of HOME IN 7 – composer Daniel Bernard Roumain (DBR)‘s collaboration with choreographer Amy Seiwert and the Atlanta Ballet. It also features Marc Bamuthi Joseph, the amazing poet/performer/arts activist.

Daniel Bernard Roumain (DBR) composes and performs music for the Atlanta Ballet

IGNITION: New Choreographic Voices
featuring HOME IN 7
Choreography by Amy Seiwert
Music by Daniel Bernard Roumain (DBR)
Spoken Word by Marc Bamuthi Joseph

May 15 @7pm (May 13 & 14 Sold Out)
The Alliance Stage at the Woodruff Arts Center
Atlanta, GA
Event Information
Buy tickets here.

Presented by Atlanta Ballet in association with the National Black Arts Festival

It’s been an amazing and adventurous 18 months working with Carnegie Hall for its JapanNYC festival. With over 65 events happening all across New York City, we were such busy bees!  We also endured a few very emotional moments along the way: Maestro Ozawa (artistic director of the festival) undergoing surgery, and then of course, the earthquake, tsunami and nuclear disaster.

Well, the festival concerts at Carnegie Hall are now over and they were a great success, so it’s safe to say…mission accomplished!!  (You can see some great photos on Carnegie Hall’s Facebook page.) But there are plenty of art exhibits and film screenings still going on.  One show in particular is our favorite, so please check this out:

Bye Bye Kitty!!!
Between Heaven and Hell in Japanese Contemporary Art

This groundbreaking exhibition features 16 artists who reject the outworn narratives of cuteness and infantilism fashionable in Western presentations of Japanese contemporary art.

March 18 – June 12, 2011
Japan Society
333 East 47th Street
New York, NY 10017

Bye Bye Kitty!!! Official Website

Our good friend and frequent collaborator in Tokyo, Jonathan Harlow (also a high school classmate of Rika’s),  just contributed the following blog post, sharing his unique perspective as a gaijin (foreigner) living and working in Tokyo, regarding the East Japan Great Earthquake and the future of Japan.

For the past nine years, Jonathan has operated a Tokyo-based boutique consultancy focused on qualitative consumer research and marketing planning, working on projects in a range of areas including product development, advertising, and branding.  He works with multinational clients, research agencies, and advertising agencies on projects in a wide variety of categories, including financial products, health care, personal care, fast moving consumer goods, and wines & spirits.  Prior to starting his consultancy, Jonathan spent two years as a member of the qualitative research division of Research International Japan.  He began his career as an assistant equities research analyst at Goldman Sachs Tokyo. Jonathan pursued university studies at both Harvard University and Keio University and is fluent in Japanese, graduating with an A.B. in Japanese Social Studies from Harvard University in 1999.  Jonathan has been a permanent resident of Tokyo for 12 years.

* * * * * * * * * * * * * * * * * * * * * * * * * * * *

Over the past week, Japan has been shaken to the core by an unprecedented combination of terrible events. First, a series of massive earthquakes. Next, tsunami. Then, the terror of nuclear disaster.

In Tokyo, it will take time for things to stabilize, for the resources of daily life to come back online, and for life to start to feel “normal” again. For those in the Northeast most profoundly affected by the tragedy of the earthquakes, the tsunami, and the nuclear disaster, the loss cannot be expressed in words. Life will never again be “normal,” but it will go on.

What does all of this mean for Japan?

I see this as a turning point for Japanese society. It is the end of the Postwar Era. It is the end of 20 years of post-Bubble malaise. It is a new beginning in a world where the relevance, and meaning, of Japan as it has been for the past 50 years has been increasingly questioned by domestic stagnation and the rise of other powers, particularly China.

I believe that the shared experience of the East Japan Great Earthquake (higashi nihon daishinsai) has profound implications for the future of Japan. I think that this will be a time history remembers as the moment when the people of Japan come together as a people, shaking off the growing uncertainty and dysfunction of the past 20 years. This is a time when Japan will come together to share the strength, and value, of what it means to be Japanese.

And I think that the Japanese culture, the spirit of what it is to be Japanese, will serve as engine, keel, and rudder to guide Japan into this new era. The cultural resources of Japan are incredibly rich and powerful.

It is firstly the spirit of perseverance in the face of seemingly insurmountable difficulty, as evidenced through the extraordinary rebirth and flourishing of Japan that brought the nation from an island of ashes and twisted wreckage in 1945 to the pinnacle of the industrialized world in a span of only a few decades. This is the engine of resolve to rebuild what has been lost, reflecting on what has been, and then setting to work putting life back together and building the future.

It is secondly the distinctively Japanese way of approaching life as a collective. The power of the Japanese value of coming together, establishing a harmony of thought and singleness of group purpose. This is the keel that stabilizes the energy of resolve. It grounds Japanese society and is the foundation of the Japanese approach to life.

And thirdly it is the unflagging Japanese attention to detail, to particularity (kodawari) about how things should be. This is a rudder that guides towards the pursuit of the essence of living, refusing to waver until things are put together “just right”. This last point is, I think, one of the essential strengths of Japanese culture as I have come to appreciate it – the Japanese skill at imagining, then actually creating, physical tools and psychological spaces that are each in their own way “perfect” for their purpose.

These cultural assets are reflected in all of the things that amaze the outsider visiting or living in Japan. They are assets that Japanese people are justly proud of. And yet, as someone who has studied, lived, and worked in Japan for the past 15 or so years, I think that perhaps it is important for me to point out these cultural assets once again. I sense that it may be that these assets are something many in Japan take for granted – sensing they are there, but perhaps not quite realizing the incredible strength and power of what Japanese culture offers. It is a richness of assets that every Japanese person has available to them right now, by virtue of having been born and raised in this society.

It is knowing these assets are there that gives me the confidence to say what I have said.

Now, what about those of us who aren’t in Japan? What is the role for those of us who aren’t Japanese?

All of us must try in whatever ways we can to send our human support.

This support may be take form as money or materials – each of us contributing what we are able. It may for some be possible to offer assistance in the form of physical presence through volunteer work.

Most importantly, however, regardless of what else we do, we can offer our resources in a form that resonates in the heart and mind (the kokoro). This is support both for those who have lost everything, and for those who have lost little in a material sense, but suffered psychological damage from the terror of the past week and the continuing privations brought on by this disaster. All of us have the capacity to do at least this in some way – reaching out with our minds and words and thoughts to remind those who have lost so much that to whatever extent we can offer, we are standing behind them.

We are standing together in spirit with the people of Japan as they set about building the foundations of a new era.

Jonathan Harlow, March 19, 2011
jonathan@jonathanharlow.com

Follow

Get every new post delivered to your Inbox.